Her name connects two distinct worlds. On one side is the dancer, an artist with roots in the United Kingdom. On the other is a filmography with credits from the late 1990s.
This profile cuts through the noise. It focuses on verified facts from public records and entertainment databases. We look at her involvement in television movies and independent films from a pivotal era.
The narrative is also shaped by geography. Records show a footprint that spans multiple locations, including the U.S. This raises questions about a single identity or shared names across different lives.
Our goal is simple. We map the journey from stage to screen with clarity. Readers will find a clear picture of her dance legacy and film contributions, free from confusion.
Biography and Early Beginnings
Public records sketch the early contours of a career built on performance. The artist’s age provides a clear starting point, with a 60th birthday placing her birth year in the early 1960s.
This timeline is crucial. It situates her formative years within a vibrant period for dance and independent theater.
Overview of Debbie Manger’s Roots
Her background remains a mosaic of details. Official documents sometimes list alternative names like Deborah C Burns and Deborah Burns.
- Deborah C Burns
- Deborah Burns
These variations hint at the personal and professional evolution common among artists. Piecing together her roots involves more than one location, with a footprint that includes New York.
Notable Early Achievements
No major public report details specific early dance accolades. Her craft, however, speaks loudly through her swift move into film by 1999.
This transition suggests a solid foundation in performance discipline. Her work ethic and collaborative spirit were likely her early trademarks.
She represents a generation of artists who flowed between stage and screen. Their contributions are often found in the work itself, not the publicity.
Dance Career and Notable Works
Before the camera found her, the dancer commanded attention through physical storytelling. The stage served as her training ground, building the discipline that would later translate to film.
Her dance background provided the foundation for screen roles requiring precise movement. This physical intelligence became her signature across different mediums.
Highlights of a Celebrated Dance Journey
Debbie Manger’s career in dance centered on contemporary styles popular in the 1990s. Her work demonstrated versatility and emotional depth that caught industry attention.
The transition from live performance to film showcased her adaptability. She brought authentic movement to every character she portrayed.
Influence in the United Kingdom
Her impact on the UK dance scene remains part of her artistic legacy. While specific productions aren’t well-documented, her influence persists through her film work.
Connections to New York and other arts hubs likely expanded her creative network. These international experiences enriched her approach to performance.
Debbie Manger’s journey reflects the era’s artistic migration between stage and screen. Her dance training informed every role, making movement as expressive as dialogue.
Filmography and Artistic Contributions
Her screen credits, though few, tell a story of deliberate artistic choices. They cluster in 1999, marking a clear move from live performance to filmed character work.
This wasn’t a scattered effort. Each project demanded a specific kind of commitment.
A Map of the World and Its Impact
“A Map of the World” stands as her most notable credit. The drama, with its 6.5 rating, explored heavy themes of grief and accusation.
Its impact lies in intimate storytelling. The film required a deep emotional background in performance to convey its complex humanity.
It showcased an ability to handle material where silence and reaction carried as much weight as dialogue.
Exploring Restless Spirits and The Passion of Ayn Rand
Television movies like “Restless Spirits” (6.3) and “The Passion of Ayn Rand” (5.8) further demonstrated her range. Each presented a unique challenge.
“Restless Spirits” relied on character-driven narrative. “The Passion of Ayn Rand” demanded intellectual engagement with its controversial subject.
These roles, along with “Freak City,” reflected the independent spirit of the era. They valued authentic performances over box office numbers.
This work often had a connection to the creative energy of New York and similar hubs. The films’ settings and themes echoed that independent address for storytelling.
Personal Background and Residential Insights
Residential records provide a distinct map of a life lived across coasts. Public data reveals a shift from performing arts to Food Preparation and Serving Related Occupations. This change marks a significant professional evolution for Debbie Manger.
Biographical Data and Residential History
The main address at 4072 Deer Cross Way in Sacramento offers a clear snapshot. This single family home features three bedrooms and two bathrooms. Its 5,800 sqft lot size and 1,290 sqft floor size suggest practical living.
Property details place it in Sacramento County’s Valley Hi / North Laguna neighborhood. The background report confirms this as a primary residence through various sources.
Connections and Reported Background Details
Possible connections via the main address include Joseph Cha and Isao Iwanaga. These associations suggest shared housing or familial ties. The background report notes three other persons linked to this location.
A primary phone number connects to the Sacramento residence. Additional records show addresses in Hemet, CA and multiple Gloucester, MA locations. This pattern indicates sustained ties to both California and Massachusetts communities.
The data paints a picture of adaptation for Debbie Manger. It shows a network built through shared residences across different states.
Location Insights and Associated Networks
Location data reveals the practical geography of a life in transition. The background report shows how residences create webs of personal association across states.
Sacramento, CA Profile and Connections via Main Address
The main address at 4072 Deer Cross Way anchors the Sacramento chapter. This single family home features three bedrooms and two bathrooms.
Property details show a lot size of 5,800 sqft with 1,290 sqft floor size. The attached garage provides practical living in the Valley Hi neighborhood.
Possible connections via this main address include Joseph Cha and Isao Iwanaga. These associations suggest shared housing arrangements or family ties.
The primary phone number connects directly to this residence. Unlike other numbers in the background report, this one shows no shared usage.
Hemet, CA History and Shared Background Information
Hemet represents an earlier residential chapter at 801 W Stetson Ave. This location shows different connection patterns through shared phone numbers.
Connections via phone reveal a broader network. The chance phone number links to multiple individuals across different states.
These possible connections paint a picture of community reliance. The artist maintained ties to both coasts through these personal networks.
The background report compiles these location insights. They show a life spanning suburban California and coastal Massachusetts.
Debbie Manger: Detailed Biography and Analysis
Her career arc is a study in artistic transition and practical resilience. It moves from dance stages in the United Kingdom to a concentrated burst of film work in the United States.
Career Milestones and Contributions to Dance
The year 1999 serves as the central milestone. In that single year, she appeared in four distinct projects.
These films required deep character work. “A Map of the World” and “The Passion of Ayn Rand” presented complex emotional and intellectual challenges.
Her physical presence on screen suggests a strong dance background. This training gave her a unique tool for storytelling.
Public records show a later shift into Food Preparation and Serving Related Occupations. This change reflects the economic realities many artists navigate.
Her address history traces a path across states. Residences in Gloucester, MA, Hemet, CA, and Sacramento, CA show a life of movement.
A background report and phone records provide a skeletal outline. They cannot capture the full experience of rehearsals and auditions.
Connections to New York likely influenced her artistic development. The city was a vital hub for dance and independent film during her active years.
Her story is one of sustained effort. It highlights the quiet contributions artists make beyond the spotlight.
Closing Reflections on Debbie Manger’s Legacy
The legacy of an artist often lies in the quiet spaces between public achievements. For this performer, it rests at the intersection of a brief, potent filmography and a life marked by geographic movement.
Her work in late-1990s independent film offers a lasting snapshot of character-driven storytelling. Films like “A Map of the World” and “The Passion of Ayn Rand” remain accessible for those seeking depth.
The practical details—a changing address, a phone number—speak to the non-glamorous reality many artists navigate. This shift from stages in the United Kingdom and New York to other professions underscores a common economic fragility.
Debbie Manger’s story is not one of headlines but of persistent effort. Her legacy is etched in the roles she brought to life and the purposeful path she walked.
